Before Owen Michaels disappears, he smuggles a note to his beloved wife of one year: Protect her. Despite her confusion and fear, Hannah Hall knows exactly to whom the note refers—Owen’s sixteen-year-old daughter, Bailey. Bailey, who lost her mother tragically as a child. Bailey, who wants absolutely nothing to do with her new stepmother. As Hannah’s increasingly desperate call...(展开全部)

Before Owen Michaels disappears, he smuggles a note to his beloved wife of one year: Protect her. Despite her confusion and fear, Hannah Hall knows exactly to whom the note refers—Owen’s sixteen-year-old daughter, Bailey. Bailey, who lost her mother tragically as a child. Bailey, who wants absolutely nothing to do with her new stepmother. As Hannah’s increasingly desperate call...(展开全部)

In this remarkable blend of memoir and criticism, James Wood, the noted contributor to the New Yorker, has written a master class on the connections between fiction and life. He argues that of all the arts, fiction has a unique ability to describe the shape of our lives and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood...(展开全部)

In this remarkable blend of memoir and criticism, James Wood has written a master class on the connections between fiction and life. He argues that, of all the arts, fiction has a unique ability to describe the shape of our lives, and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood here as the most sacred and personal of...(展开全部)

In this remarkable blend of memoir and criticism, James Wood has written a master class on the connections between fiction and life. He argues that, of all the arts, fiction has a unique ability to describe the shape of our lives, and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood here as the most sacred and personal of...(展开全部)

In this remarkable blend of memoir and criticism, James Wood, the noted contributor to the New Yorker, has written a master class on the connections between fiction and life. He argues that of all the arts, fiction has a unique ability to describe the shape of our lives and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood...(展开全部)

The Funny Thing is Wanda Gág's follow-up to her well-loved classic,Millions of Cats.It tells the story of a curious dragonlike"aminal"that eats children's dolls.A kindly man named Bobo cannot stand by and allow this to happen.He entices it to eat the concoction"jum-jills".

The Funny Thing is Wanda Gág's follow-up to her well-loved classic,Millions of Cats.It tells the story of a curious dragonlike"aminal"that eats children's dolls.A kindly man named Bobo cannot stand by and allow this to happen.He entices it to eat the concoction"jum-jills".

What are our obligations to others as people in a free society? Should government tax the rich to help the poor? Is the free market fair? Is it sometimes wrong to tell the truth? Is killing sometimes morally required? Is it possible, or desirable, to legislate morality? Do individual rights and the common good conflict? Michael J. Sandel’s “Justice” course is one of the most po...(展开全部)

Harvard government professor Sandel (Public Philosophy) dazzles in this sweeping survey of hot topics—the recent government bailouts, the draft, surrogate pregnancies, same-sex marriage, immigration reform and reparations for slavery—that situates various sides in the debates in the context of timeless philosophical questions and movements. Sandel takes utilitarianism, Kant's c...(展开全部)